Mary Dennis ~ Barriers and Solutions
I think I have figured out that there's a pretty strong connection between what I am feeling and what I choose to photograph. On the morning I shot this image I was feeling a bit worn down, numb and frustrated from dealing with a series of family matters. I have passed this grassy hill, this concrete barrier, this chain link fence probably a hundred times on my regular walks, but on this morning it spoke to me as I passed by. I'm pretty sure I wasn't thinking about it at the moment I photographed it, but when I got home and viewed it on the computer I realized it was very much an
5 Comments:
Mary,
Very nice. I too believe there is a connection between the mental state and the creative subject matter. Feelings and memories, conflicts in life all contribute to the creative process, that goes beyond just a pretty scene. Most images lately have that stagnant presence. No feeling at all.
I also agree about our emotional states affecting what we shoot. I have experienced it as well.
I like that the natural elements in this image, earth and sky, are parallel in relation to each other, as well as the man-made elements, concrete and metal.
Oh, and thanks for the link to the Minor White article. It looks like there are some other good reads on the site as well.
Thanks Tom but Mark is the one who inserted the link to the Minor White piece. I used the word [i]equivalent[/i] without a link. It was an interesting article though wasn't it? I especially like the last line from it: "With the theory of Equivalence photographers everywhere are given a way of learning to use the camera in relation to the mind, heart, viscera and spirit of human beings." I'm not sure about the use of the word [i]theory[/i] though. I believe it to be a fact with regard to my own photography.
Mary,
I too find that the "stuff" going on in my life comes to the surface when I am out photographing and stuff that I've gone by hundreds of times suddenly seem to trigger me. Often, though, I end up trashing them the next day!
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