ku # 446 and a personal experience re: "abstracts"

On the topic of "abstracts" - Woven amongst my ku I have a considerable number of "abstracts" such as this one. As noted, I don't really consider them to be "abstracts". I think of them as more of a form of reality-based impressionism. I think this way because I am not just photographing the subject in order for it to function as visual vehicle which creates pleasing visual patterns/design - I am genuinely drawn to the subject in and of itself.

My wife and greatest critic (primarily regarding, but not limited to, photography) has ocassionally taken a less than favorable position regarding many of my reality-based impressionism photographs. I'll be Photoshopping my way along on one of my latest (and certainly greatest ever) reality-based impressionism photographs, and, while in motion as she passes through my office/studio, she will utter, "Not one of your best, dear." Quick on the riposte, I usually utter a low-frequency grunt-like sound.

But, not too long ago, I gained a small measure of satisfaction (because there is no advantage in gaining revenge in a marriage) on this score. I framed and mounted one of my reality-based impressionism photographs on the livingroom wall right in her reading-on-the-couch line of vision. She uttered a low-frequency grunt-like sound.

A few weeks later, as I was passing though the livingroom, she blurted out, "You know, I'm beginning to really like that photograph." Since I was on the move, I didn't pause for any exchange on the reason(s) for the change of visual heart, although, as a harmony-making courtesy, I think I muttered "Good."

I'll have to follow up on that - most probably on our next long car trip when she's belted into the seat next to me with no way out. I find that that is usually the best time to "engage" her in a long-winded discourse on the finer points of photography and art.